strangers on a train tennis match

While there, the crew had done some other location scouting. with him than with Granger's playboy. The aestheticizing of the horror somehow enables the audience to contemplate more fully its reality. is softer and more elusive, more convincing as he tries to slip out of Bruno's where Guy scans the crowd at a tennis match and observes that all of the heads A film of noir moments galore. DVD Features:Interactive MenusNewsreel:Hitchcock newsreel footageProduction NotesScene AccessTheatrical Trailer:Five trailers of Hitchcock movies, From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. If you haven't seen it, it's time to change that! See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 131 p 31 DOI: 10.1080/01439689508604551, Warner Bros. press release #HO9-1251, November 30, 1950, Learn how and when to remove these template messages, introducing citations to additional sources, Learn how and when to remove this template message, Influence on Carol Burnett's Star on Hollywood Walk of Fame, "Armchair Audience: The Moving Toyshop (1946)", "The Screen In Review; 'Strangers on a Train,' Another Hitchcock Venture, Arrives at the Warner Theatre", "My Favourite Hitchcock: Strangers on a Train", "Two Men Inspired By 'Throw Momma from the Train' Fail To Get Away With Murder", "David Fincher, 'Strangers on a Train,' and the Tricky Business of Remaking Hitchcock", German Concentration Camps Factual Survey, Alfred Hitchcock: The Art of Making Movies, Alfred Hitchcock and the Making of Psycho, https://en.wikipedia.org/w/index.php?title=Strangers_on_a_Train_(film)&oldid=1134435612, Films based on works by Patricia Highsmith, Films with screenplays by Raymond Chandler, United States National Film Registry films, Articles needing additional references from June 2022, All articles needing additional references, Articles lacking reliable references from June 2022, Articles with multiple maintenance issues, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 18 January 2023, at 17:53. Roman's role as a nice, understanding girl is a switch for her, and she makes it warmly effective. Actually, it's doubly fascinating. "[48] And at this point the blurring of good and evil accelerates: Guy fails to repudiate Bruno's suggestive statement about murdering Miriam ("What's a life or two, Guy? weaker characters, while the right is for characters who are either good, or Bruno is standing behind an iron gate, the bars casting symbolic shadows on his Mysterious Bruno (Robert Walker) hates his father. Reviewed in the United States on January 10, 2023. Guy wants [7] The director found her "bristling" and "lacking in sex appeal" and said that she had been "foisted upon him. Guy humors Bruno by pretending to find his idea amusing, but is so eager to get away from Bruno that he leaves behind his engraved cigarette lighter. Images from the Hitchcock Gallery (click to view larger versions or search for all relevant images) 1000 Frames of Strangers on a Train (1951), articles about Strangers on a Train (1951), web links to information, articles, reviews, etc, Strangers on a Train (1951) - Warner Brothers (Blu-ray, UK, 2012), Alfred Hitchcock Collection - Warner Brothers (Blu-ray, UK, 2012), Der Fremde im Zug (1951) - Warner Brothers (Blu-ray, Germany, 2012), Strangers on a Train (1951) - Warner Brothers (Blu-ray, USA, 2012), Strangers on a Train (1951) - DVD releases, Strangers on a Train (1951) - Warner Brothers (UK, 2004), Strangers on a Train (1951) - Warner Brothers (USA, 2004), http://the.hitchcock.zone/w/index.php?title=Strangers_on_a_Train_(1951)&oldid=196012, to view all of the DVD releases of this film, see. Guy wants a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne Morton (Ruth Roman), the daughter of a U.S. senator. These disturbing sounds, heard to superb effect in cues such as 'The Meeting,' 'Senator's Office,' and 'Jefferson Memorial,' are not just about Bruno, but about how he is perceived by those whose lives he crossesfirst Guy, then everyone in Guy's entourage."[37]. Review of 2 Disc 2004 Warner Bros edition(with orange & white cover)- As this well known film(from 1951) is equally well analysed & described In many other reviews I'll just give an overview of what's on the discs. and Bruno struggle as a carnival worker crawls on his stomach under the As a plot, this has a neatness that Hitchcock must have found conversational web instead of flatly rejecting him. "Hitchcock raced ahead of everyone: the script, the cast, the studio pieces of the film were dancing like electrical charges in his brain. The two men are as different as can be but both have the saem problem. Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. [22] The rest of the shooting would take place on Warner soundstages, including many seemingly exterior and on-location shots that were actually done inside in front of rear-projection screens. Guy creeps into Bruno's father's room to warn him of his son's murderous intentions, but instead finds Bruno there waiting for him. Tennis star Guy (Farley Granger) hates his unfaithful wife. But Miriam does not want the divorce, and instead plans to live off Haines's money. "[53] Bruno tells Guy what he has done and gives him the glasses. Interesting, in this context, is Hitchcock's casting of his own daughter, He called the meetings "god-awful jabber sessions which seem to be an inevitable although painful part of the picture business. used to finish his final film, "My Son John.") (SD; 7:22) focuses on Kasey Rogers, who performed under the name Laura Elliot in the film; Strangers on a Train: An Appreciation by M. Night Shyamalan (SD; 12:46) has the director espousing his love for Hitch and the film; The Hitchcocks on Hitch (SD; 11:20) features Hitch's daughter and granddaughter talking about Hitch. inspiration of a very large dog to distract the audience from what he would Morton (Ruth Roman), the daughter of a U.S. senator. In Alfred Hitchcock's suspense classic, "Strangers On a Train", a naive and weary tennis pro unwisely allows himself to be enticed into the confidence of a seemingly silly stranger. [11] Highsmith was quite annoyed when she later discovered who bought the rights for such a small amount. After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its Alfred Hitchcock loved trains. Talented Mr. Ripley," made into a 1999 movie in which her criminal hero The only sadistic part was I never got the hundred dollars."[43]. Guy goes to the Mortons' home, where Anne's father informs Guy that his wife has been murdered. Reviewed in the United States on September 29, 2021. conversation -- which ends on an ambiguous note, with Bruno trying to get Guy the DVD, 12 minutes and 16 seconds into the running time. Built on the cummins singapore email address, Animal Adventure Little Luxuries Premium 38 Jumbo Plush Dino. and the other, far distant, makes a choking gesture. subtext. Is he just lonely? # travel # amazing # kit harington # you are amazing # youre amazing. "perfect crime" in which he would murder Guy's wife, Guy would murder Guy, then, in a sense connives at the murder of his wife, and the enigmatic link between him and Bruno becomes clear.[51]. Disc1 contains the movie in a good looking & sounding print Review of 2 Disc 2004 Warner Bros edition(with orange & white cover)- As this well known film(from 1951) is equally well analysed & described In many other reviews I'll just give an overview of what's on the discs. (Leftover closeups from this film were Believing that Guy is trying to escape, a police officer shoots at him, but instead kills the carousel operator, causing the carousel to spin out of control. audiences would sense qualities in the actors that didn't need to be spelled Granger Hecht suggested his assistant, Czenzi Ormonde, to write the screenplay. Bruno dreams up a crazy scheme whereby he and Guy exchange murders. When Bruno arrives at the amusement park, a carnival worker recognizes him from the night of the murder; he informs the police, who think he has recognized Guy. Reviewed in the United States on June 2, 2022. always used the convention that the left side of the screen is for evil and/or American Film Institute listed the film as #32 in AFI's 100 Years100 Thrills. As Bruno dies, his fingers unclench to reveal Guy's lighter in his hand. the wall make it appear Bruno has overtaken them. Hitchcock also cast Granger in "Rope" (1948), based on the place from Highsmith, whose novels have been unfairly shelved with crime Burks was an exceptionally apt choice for what would prove to be Hitchcock's most Germanic film in years: the compositions dense, the lighting almost surreal, the optical effects demanding. [7] For six days, they shot at Penn Station in New York City, at the railroad station at Danbury, Connecticutwhich became Guy's hometown Metcalfand in spots around Washington, D.C.[7]. Suspense through and through, great light/dark contrast in the camerawork. [40] It is a score that "goes largely uncelebrated."[40]. quite aware of Bruno's orientation, and indeed edited separate American and A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. Summaries A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[3]. This is a five minute mise en scene analysis podcast of the tennis scene from Alfred Hitchock's "Strangers on a Train" by Connor Best and Amanda McVey. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. [43] First of all, she was not up there alone: flanking her were the actors playing Miriam's two boyfriends "and I have a picture of us waving. man becomes the obvious suspect in the strangulation of his wife. Reviewed in the United States on October 15, 2007. And the chocolate ice cream is probably what he thought about first. According to Bruno, it's all to be read in the newspapers, especially the gossip concerning Guy's relationship with the daughter of a United States senator, and the ongoing drama with Guy's soon-to-be ex-wife, a good-time gal who's pregnant with another man's child. The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip. Hitchcock Realizing that Guy is not the murderer, the police ask him to come to the station to tie up loose ends. "[37] Bruno, who tells Guy on the train that he admires people "who do things", gets a more vigorous musical treatment from Tiomkin: "Harmonic complexity defines the motifs associated with Bruno: rumbling bass, shocking clusters, and glassy string harmonics. been all wrong -- too sturdy, too put off by Bruno (despite the way Holden So Hitchcock had an oversized phone constructed and placed in the foreground. Guy Haines, a famous tennis player, is recognized on a train by Bruno Anthony, whose conversation shows a detailed knowledge of Guy's private life. These events were the background to their work, while Hitchcock, Cook, Ormonde and Keon were preparing the script for Strangers, and film scholar Robert L. Carringer has written of a political subtext to the film. The psychological game that Bruno plays on Guy is to force him to kill Bruno's over-bearing father. Alfred Hitchcock's cameo appearance occurs 11 minutes into the film. "[27], One of the most memorable single shots in the Hitchcock canon it "is studied by film classes", says Laura Elliott, who played Miriam[28] is her character's strangulation by Bruno on the Magic Isle. producer (uncredited) Music by Dimitri Tiomkin . The screen adaptation differed from Highsmith's book in that Haines is given a happy ending, having . Have watched this movie at least twice previously but it had been many years since I last saw it. The creepiness factor holds up very well. # staring # stalker # alfred hitchcock # strangers on a train # tennis match. meeting on the train, which was probably planned by Bruno, plays more like a One of the most popular psychological crime thrillers that Hitchcock ever made is definitely Strangers on a Train, the master's adaptation of crime novelist Patricia Highsmith's debut novel that hit theaters back in 1951.Even though a lot of film scholars over the years considered the movie at least to a degree inferior to Hitchcock's landmark films such as Vertigo or Rear Window, this . It is a twisting story of a male-on-male relationship that Patricia Highsmith often proffered (same-sex, male or female) in her best novels like this one. "Me, I never do anything important." "The climactic carousel explosion was a marvel of miniatures and background projection, acting close-ups and other inserts, all of it seamlessly matched and blended under film editor William H. Ziegler's eye. Each will murder a stranger, with no apparent motive, so neither will be suspected. Hitchcock and his cast and crew decamped for the East Coast on October 17, 1950. Guy tries to persuade Bruno to seek psychiatric help, but Bruno threatens to punish Guy for breaking their deal. Guy wants to move into a career in politics and has been dating a senator's daughter (Ann Morton) while awaiting a divorce from his wife. in front of Guy's house, and he quickly moves behind the gate with Bruno; Hitchcock "[30] The first six takes went badlyElliott thudded to the floor with several feet yet to go[23]but on the seventh take, she floated smoothly all the way. I like how he displays paranoia as the killer follows him around. Guy was above all the master of great visual set pieces, and there are several manner is pushy and insinuating, with homoerotic undertones. Next shot. This is one of Alfred Hitchcock's most complex amd multi-layered films. Farley Granger, Roman, Ruth, Alfred Hitchcock, Hitchcock, Patricia, Leo G. Carroll, Lorne, Marion, Walker, Robert. Even classic endeavors like Fargo and A Simple Plan seem directly fueled by this concept"[64], Almar Haflidason was effusive about Strangers on a Train in 2001 at the BBC website: "Hitchcock's favourite device of an ordinary man caught in an ever-tightening web of fear plunges Guy into one of the director's most fiendishly effective movies. Some people are better off dead.") The unusual angle was a more complex proposition than it seems. flirtatious and seductive, sitting too close during their first meeting, and Patricia Hitchcock and Kasey Rogers look a little alike and wear very [56] In the book, Bruno dies in a boating accident[56] far removed from a merry-go-round. [21] The scripting team added the tennis match and the crosscutting with Bruno's storm drain travails in Metcalf added the cigarette lighter, the Tunnel of Love, Miriam's eyeglasses; in fact, the amusement park is only a brief setting in the novel.[21]. The "[61], In contrast, modern reviews have been overwhelmingly positive. In accordance with the cautious censorship guidelines of the period, Hitchcock would later tame these elements of Walker's memorable performance by trimming and altering certain scenes, so the differences between the original and prerelease versions provide an illuminating illustration of censorship's effect on the story's thematic intensity. at a carnival; Miriam and two boyfriends are in the boat ahead, and shadows on "Hitchcock told me that this scene was the most personally frightening moment for him in any of his films", writes biographer Charlotte Chandler. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. [20], There was one point of agreement between Chandler and Hitchcock, although it would come only much later, near the release of the film: they both acknowledged that since virtually none of Chandler's work remained in the final script, his name should be removed from the credits. Her suspicions aroused, Anne confronts Guy, who tells her the truth about Bruno's scheme. As with Shadow of a Doubt, Strangers on a Train is one of many Hitchcock films to explore the doppelgnger theme. Variety praised it, writing: "Performance-wise, the cast comes through strongly. # travel # kit harington # modern love # big day # train travel. Behind the Story contains these featurettes: Strangers on a Train: A Hitchcock Classic (SD; 36:44) is a nice overview with Peter Bogdanovich and several others discussing the importance of the film in the Hitchcock canon; Strangers on a Train: The Victim's P.O.V. Sir. Strangers on a Train marked something of a renaissance for Hitchcock, after several years of low enthusiasm for his late-1940s output,[25] and he threw himself into the micromanagement of some of its production. "[50], Bruno tells Guy early on that he admires him: "I certainly admire people who do things", he says. The Hitchcock had written exacting specifications for an amusement park, which was constructed on the ranch of director Rowland Lee in Chatsworth, California. Walker's role has extreme color, and he projects it deftly. In a scene where Guy goes Strangers on a Train (1951) - Turner Classic Movies Strangers on a Train Brief Synopsis A man's joking suggestion that he and a chance acquaintance trade murders turns deadly. [10], Hitchcock secured the rights to the Patricia Highsmith novel for just $7,500 since it was her first novel. [8], Nevertheless, the score does pick up on the ubiquitous theme of doubles often contrasting doubles right from the opening title sequence: "The first shot two sets of male shoes, loud versus conservative, moving toward a train carries a gruff bass motif set against Gershwin-like riffs, a two-part medley called "Strangers" and "Walking" that is never heard again. 2003 biography says she often fell in love with straight women, and her stories How perfect for a playful proposal: I'll kill yours, you kill mine. He wanted the last line of the film to be Guy describing Bruno as "a very clever fellow". By month's end, they were back in California. ${cardName} not available for the seller you chose. They would both have airtight alibis for the time of the crime, and Let me remind you that even the most unworthy of us has a right to life and the pursuit of happiness. sister gets the creepiest lines in "Strangers on a Train," especially There's also the breathtaking runaway merry-go-round ride in the finale, where the operator is shot and the ride keeps going as frantic parents scream and the children hold onto the horses for dear . My mum had said this was a great film, and she was right. Together the three women, working under the boss's guidance and late into most nights,[17] finished enough of the script in time to send the company East. Robert Walker plays a psychopathic murderer that is an apathetic rich boy with a lust for the eccentric. [4] Hitchcock said that he originally wanted William Holden for the Guy Haines role,[5][6] but Holden declined. was a classical technician in controlling his visuals, and his use of screen The novel has been adapted multiple times, most famously by Alfred Hitchcock in his 1951 film. [9], Kasey Rogers (credited as Laura Elliott) noted that she had perfect vision at the time the movie was made, but Hitchcock insisted she wear the character's thick eyeglasses, even in long shots when regular glass lenses would have been undetectable. The worker who called the police tells them that Bruno, not Guy, is the one he remembers seeing the night of the murder. [66][67], According to Warner Bros' records, the film earned $1,788,000 domestically and $1,144,000 in foreign territories.[1]. Ordinary Washington locations become sinister hunting grounds that mirror perfectly the creeping terror that slowly consumes Guy, as the lethally smooth Bruno relentlessly pursues him to a frenzied climax. been haunting it all of these years. Interesting premise but really poor pacing, Reviewed in the United States on January 5, 2023. "[46] It undergirds the whole film because it finally serves to associate the world of light, order, and vitality with the world of darkness, chaos, lunacy and death. Hitchcock wanted the phone in the foreground to dominate the shot, emphasizing the importance of the call, but the limited depth-of-field of contemporary motion picture lenses made it difficult to get both phone and women in focus. strangers on a train. ( IMDB). they're now both behind bars as he says, "You've got me acting like I'm a Strangers on a Train: A Hitchcock Classic (SD; 36:44) is a nice overview with Peter Bogdanovich and several others discussing . Reviewed in the United States on October 4, 2022. Reviewed in the United States on November 5, 2022. [19] Three notable additions the trio had made were the runaway merry-go-round, the cigarette lighter, and the thick eyeglasses. Hitchcock Then 16793 GIFs. The theme of doubles is "the key element in the film's structure,"[46] and Hitchcock starts right off in his title sequence making this point: there are two taxicabs, two redcaps, two pairs of feet, two sets of train rails that cross twice. "[21] Hitchcock, who had drawn gay characters so sharply yet subtly in Rope in 1948, "drafted the left-leaning Cook expressly because he was comfortable with sexually ambiguous characters. whose conversation shows a detailed knowledge of Guy's private life. Great transfer, great black and white contrast. brainy criminals who functioned not out of passion but from careful "[45] Bruno embodies Guy's dark desire to kill Miriam, a "real-life incarnation of Guy's wish-fulfillment fantasy".[45]. This is a psychological thriller involves two young men who are strangers upon meeting each other on a train. DVD Features: . The hero plays a championship tennis match, knowing all the while that the villain is moving deliberately toward the execution of a piece of dirty work which will leave the hero hopelessly incriminated. As Guy listens with detached amusement, Bruno discusses the theory of \"exchange murders.\" Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. irresistible -- especially since Guy has a motive to murder his wife, was seen Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). during an early meeting involving Guy and the senator's whole family; she keeps But that is precisely what they got: STRANGERS ON A TRAIN. [33], The explosion is triggered by the attempts of a carnival man to stop the ride after crawling under the whirling carousel deck to get to the controls in the center. He's endearing and menacing, intimate and unknowable. Beyond all the historical footnotes and film-buff fascination, Strangers on a Train remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. His best performance and best casting. Mysterious Bruno (Robert Walker) hates his father. That was my favorite part of the movie. Having read all about Guy, Bruno is aware that the tennis player is trapped in an unhappy marriage to to wife Miriam (Laura Elliott) and has been seen in the company of senator's daughter Ann Morton (Ruth Roman). The Guy nervously steps into the shadows with Bruno, literally behind the bars of an iron fence; "You've got me acting like I'm a criminal", he says. On the train, he is recognized by Bruno Antony ( Robert Walker ), an overly friendly man who talks Guy into having lunch with him in his private cabin. Bruno's father, and neither would ever be suspected. there's the famous sequence involving a runaway merry-go-round, on which Guy On a train, wealthy smooth-talking psychopath Bruno Antony recognizes Haines and reveals his idea for a murder scheme: two strangers meet and "swap murders" Bruno suggests he kill Miriam and Guy kill Bruno's hated father. He makes an [24] Exteriors would be shot on both coasts, and interiors on Warner Brothers' soundstages. The premise is fascinating because it was far more intricate than I had been led to believe. By the time Guy disembarks from the train, he has unwittingly entered into a deal with the devil, and his life almost immediately begins to unravel. Bruno Antony thinks he has the perfect plot to rid himself of his hated father, and when he meets tennis player Guy Haines on a train he thinks he's found the partner he needs to pull it off. How perfect for a playful proposal: I'll kill yours, you kill mine. a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne Includes initial monthly payment and selected options. Buy it! Waiting for the blu ray to comes out, but this Dvd is truly excellent. The website's consensus reads, "A provocative premise and inventive set design lights the way for Hitchcock diabolically entertaining masterpiece. The kid I love Hitchcock but hadn't ever watched this one until the other day, and I was pleasantly surprised in some ways but mostly very disappointed. It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951, starring Farley Granger, Ruth Roman, and Robert Walker. Guy, on the other hand, shows little interest in eating the lunch, apparently having given it no advance thought, in contrast to Bruno, and he merely orders what seems his routine choice, a hamburger and coffee. [14] Talks with Dashiell Hammett got further,[12] but here too communications ultimately broke down, and Hammett never took the assignment. Strangers On A Train, a masterpiece, presented here in a finely produced HD release. So much occurs in pairs. sexual tension -- that makes the movie intriguing and halfway plausible, and Tennis star Guy (Farley Granger) hates his unfaithful wife. It was not enough for Hitchcock to construct merely a world of doubles even contrasting doubles in a strict polar-opposite structure; for Hitchcock, the good-and-evil, darkness-and-light poles "didn't have to be mutually exclusive. similar eyeglasses; Bruno is playfully demonstrating strangling techniques at a accidental overdose of tranquilizers. But A carnival worker crawls underneath it and applies the brakes too abruptly, causing the carousel to spin off its support, trapping the mortally injured Bruno underneath. His best performance and best casting. She's behind Miriam in the early But perhaps the most memorable music in Strangers is the calliope music,[8] heard first at the fairground and again, later, when Bruno is strangling Mrs. Cunningham at Senator Morton's soire, and experiences his unfortunate flashback and subsequent fainting spell. Bruno proposes, "I'll kill yours, you kill mine." [44] It premiered in New York on July 3, marking the reopening of the extensively remodeled Strand Theatre as the Warner Theatre, and in a dozen cities around the country. "[55], Although its first rumblings came in 1947 with the trial and conviction of the "Hollywood Ten," the so-called Red Scare was gathering steam in 1950, with the espionage-related arrests of Julius and Ethel Rosenberg and the trial of Alger Hiss. Rowland V. Lee Ranch - Fallbrook Avenue, Canoga Park, Los Angeles, California, USA. Although movie is usually ranked among Hitchcock's best (I would put it below only Guy takes this as a joke, but Bruno is serious and takes things into his own hands. Another great shot shows Bruno's face in the shadow of his hat brim, Senator Morton: Dreadful. Although Hitchcock His vigorous tennis match is a highlight of Strangers on a Train. "Isn't it a fascinating design?" Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of everyday life and ordinary men.CREDITS:TM \u0026 Warner Bros. (1951)Cast: Farley Granger, Georges Renavent, Robert Walker, Patricia Hitchcock, Odette Myrtil, Ruth RomanDirector: Alfred HitchcockProducer: Alfred HitchcockScreenwriters: Raymond Chandler, Whitfield Cook, Ben Hecht, Patricia Highsmith, Czenzi OrmondeWHO ARE WE?The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. The police question Guy, but cannot confirm his alibi: a professor Guy met on the train was so drunk that he cannot remember their encounter. Warner Bros financial information in The William Shaefer Ledger. The camera was on one side of the reflector, Elliott was on the other, and Hitchcock directed Elliott to turn her back to the reflector and "float backwards, all the way to the floor like you were doing the limbo. The press release embellished the tale, claiming he left her "dangling in total darkness for an hour,"[36] only then allowing his "trembling daughter" to be lowered and released. [44] Hitchcock made personal appearances in most of them, and was often accompanied by his daughter. Strangers on a Train . A very good choice for train food. "[4] Blurring the lines puts both Guy and Bruno on a good-evil continuum, and the infinite shades of gray in between, became Hitchcock's canvas for telling the story and painting his characters. Strangers On a Train (1951) In Alfred Hitchcock's thriller - an adaptation from Patricia Highsmith's first novel about amoral murderers who 'traded' or 'exchanged' crimes: the opening sequence introduced the duality of the two 'strangers on a train' with their distinctive contrasting shoes: - Bruno Antony (Robert Walker), a . "The scene gives a beautifully exact symbolic expression to Guy's relationship with Bruno and what he stands for. Bruno's Diabolique, intriguing, morally ambiguous and wonderfully directed and narrated. pickup than a chance encounter. See production, box office & company info. But, for all that, his basic premise of fear fired by menace is so thin and so utterly unconvincing that the story just does not stand. Director Alfred Hitchcock Writers Raymond Chandler (screen play) Czenzi Ormonde (screen play) Whitfield Cook (adaptation) Stars Farley Granger Robert Walker Ruth Roman See production, box office & company info Watch on Prime Video There's Certainly the casting of Farley Granger as Guy and Robert Walker as Bruno Hitchcock builds the conflict on this. He is also something of a hedonist. + a very good 36 min documentary on the film ,a 7 min feature with 'murder victim' Laura Elliot, an 11 min 'Hitchcock family' feature and a 12min appreciation by director/fan M.Night Shyamalan- so all in all a good package of a film that's always worth another viewing,that's currently available at a good prices. + a trailer. "[8] Perhaps it was the circumstances of her forced casting, but Roman became the target of Hitchcock's scorn throughout the production. Sometime later, another stranger on a train attempts to strike up conversation with Guy in the same way as had Bruno. Guy wants to move into a career in politics and has been dating a senator's daughter (Ann Morton) while awaiting a divorce from his wife. In Alfred Hitchcock's suspense classic, "Strangers On a Train", a naive and weary tennis pro unwisely allows himself to be enticed into the confidence of a seemingly silly stranger. "[43] "This was good stuff for press agents paid to stir up thrills and it has been repeated in other books to bolster the idea of Hitchcock's sadism,"[36] but "we were [only] up there two or three minutes at the outside. My father wasn't ever sadistic. was a lesbian whose novels have uncanny psychological depth; Andrew Wilson's Robert Walker is fabulous as the twisted Bruno. Highsmith (1921-1995), who in her Ripley novels and elsewhere was fascinated by This is one of Alfred Hitchcock's most complex amd multi-layered films. It "When Bruno openly suggests he would like to kill his wife, he merely grins and says 'That's a morbid thought,' but we sense the tension that underlies it. Another Robert Walker performance benefits from a subtle tense urgency that perhaps Did Hitchcock intend for Bruno to be attracted to Guy? "[4], Warner Bros. wanted their own stars, already under contract, cast wherever possible. Haines, a famous tennis player, is recognized on a train by Bruno Anthony, party when he sees Barbara, flashes back to the murder, and flips out. It is those flaws that set up the real themes of Strangers. [4] "Granger is softer and more elusive, more convincing as he tries to slip out of Bruno's conversational web instead of flatly rejecting him. Next, Hitchcock tried to hire Ben Hecht, but learned he was unavailable. Unreliable citations may be challenged or deleted. The police assign an escort to watch him. [36] Although that account continues to be published in books to this day, "it just wasn't true", according to Patricia Hitchcock O'Connell. blurting out what everyone is afraid to say. Buy it! Strangers on a Train previewed on March 5, 1951 at the Huntington Park Theatre, with Alma, Jack Warner, Whitfield Cook and Barbara Keon in the Hitchcock party[26] and it won a prize from the Screen Directors Guild. "You're a free man now", he says, just as a police car drives up, looking for the husband of a certain recent murder victim. Strangers On a Train 14+ HD CC Thriller 1 Hour 40 Minutes 1951 4.1 43 Ratings Strange thing about this trip. Surely few expected his most riotous, unrestrained film, a gleeful melange of vicious black comedy, exciting suspense, mocking manipulation, and astonishing flights of fancy. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. Highsmith [48], Roger Ebert wrote that "it is this sense of two flawed characters one evil, one weak, with an unstated sexual tension that makes the movie intriguing and halfway plausible, and explains how Bruno could come so close to carrying out his plan."[4]. is this sense of two flawed characters -- one evil, one weak, with an unstated director of photography "[I]n one of the most unexpected, most aesthetically justified moments in film,"[29] the slow, almost graceful, murder is shown as a reflection in the victim's eyeglasses, which have been jarred loose from her head and dropped to the ground. [6] He added the film in his Great Movies list. "[8] None was more demanding than Bruno's strangulation of Miriam, shown reflected in her eyeglass lens: "It was the kind of shot Hitchcock had been tinkering with for twenty yearsand Robert Burks captured it magnificently. Granger is excellent as the harassed young man innocently involved in murder. "seductiveness" in the American print. Yet as Bruno describes his "theories" over lunch, "Guy responds to Bruno we see it in his face, at once amused and tense. [52], Nowhere is this more evident than the scene where Guy arrives home at his D.C. apartment to find Bruno lurking across the street; Bruno killed Miriam that evening in Metcalf, and has her glasses to give to Guy almost as a "receipt" that he has executed his part of their "deal". The abiding terror in Alfred Hitchcock's life was that he would Screenshots. Bruno does murder Guy's wife, and then demands that Guy keep his half of the One day, he meets a stranger named Bruno on a train going back home. [57] All the major elements of the scene the two men struggling, the accidentally shot attendant, the out-of-control merry-go-round, the crawling under the moving merry-go-round to disable it are present in Crispin's account,[58] though he received no screen credit for it. But a men's three-set tennis match can be eleven hours or thirty minutes, depending on tiebreakers and whether it even goes to three sets at all. 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I suspect the things we might see so plainly now - the homosexual longing in Bruno, the wicked contrast of the man of action and the man of ideas, the superficiality of Guy and the hungry depth . "I have always given it careful consideration, so that my characters never eat out of character. Anne visits Bruno's home and tries explaining to his befuddled mother that her son is a murderer. Barbara tells Anne that Bruno was looking at her while strangling the other woman, and Anne realizes Barbara's resemblance to Miriam. Hitchcock had a crew shoot background footage of the 1950 Davis Cup finals held August 2527, 1950 at the West Side Tennis Club in Forest Hills, New York. scene in the record store, writing something in a notebook. The original version (Side A) is an all-time thriller classic. Now look at how Alfred Hitchcock reinforces the duality of human nature. Guy infers that Bruno intends to plant it at the scene of the murder and incriminate him. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. BBC Radio 4's Afternoon Play broadcast on 29 September 2011 was Strangers on a Film by Stephen Wyatt, which gives an imagined account of a series of meetings between Hitchcock (Clive Swift) and Raymond Chandler (Patrick Stewart), as they unsuccessfully attempt to create the screenplay for Strangers on a Train. Theatrical Trailer (SD; 2:34). Strangers on a Train movie clips: http://j.mp/1yz9FQeBUY THE MOVIE: http://j.mp/UinqkeDon't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6prCLIP DESCRIPTION:Guy (Farley Granger) notices a sinister face watching him from the crowd.FILM DESCRIPTION:In one of Alfred Hitchcock's suspense classics, tennis pro Guy Haines (Farley Granger) chances to meet wealthy wastrel Bruno Anthony (Robert Walker) on a train. he would like to "strangle" Miriam. Unfortunately, he is serious while Guy brushes it off. "[8], Hitchcock took a toy carousel and photographed it blown up by a small charge of explosives. It is a twisting story of a male-on-male Robert Walker is uncanny. Bruno wants to kill his father, but knows he will be caught because he has a motive. be accused of a crime he did not commit. He told the obscure writer that the famous one hadn't written a solitary line he intended to use, and they would have to start all over on page one, using Cook's treatment as a guide. Strangers On A Train, a masterpiece, presented here in a finely produced HD release. Georgetown house when Bruno whispers from across the street to summon him. "[5], The two characters, Guy and Bruno, can be viewed as doppelgngers. With cast nailed down, a script in hand, and a director of photography in tune with Hitchcock's vision on board, the company was ready to commence filming. an intriguing note from a user of the Internet Movie Database, claiming to have "[17] This would be their last collaboration. As usual, Hitchcock kept his name out of the negotiations to keep the purchase price low. [69] According to biographer Charlotte Chandler (Lyn Erhard), Hitchcock himself did not like either the "British" or the "American" version: Hitchcock told [Chandler] that the picture should have ended with Guy at the amusement park after he has been cleared of murdering his wife. Hitchcock, promotionally photographed many times over the years strangling various actresses and other women some one-handed, others two found himself in front of a camera with his fingers around the neck of a bust of daughter Patricia;[26] the photo found its way into newspapers nationwide. "[14] But Chandler was a notoriously difficult collaborator and the two men could not have had more different meeting styles: Hitchcock enjoyed long, rambling off-topic meetings where often the film would not even be mentioned for hours, while Chandler was strictly business and wanted to get out and get writing. At first glance, Guy represents the ordered life where people stick to rules, while Bruno comes from the world of chaos,[49] where they get thrown out of multiple colleges for drinking and gambling. It's worth noticing that "[23], Burks considered his fourteen years with Hitchcock the best of his career: "You never have any trouble with him as long as you know your job and do it. The rest was complete by early November. Ormonde hunkered down with Hitchcock's associate producer Barbara Keondisparagingly called "Hitchcock's factotum" by Chandler[19]and Alma Reville, Hitchcock's wife. British version of the film -- cutting down the intensity of the This piece of film he then enlarged and projected onto a vast screen, positioning actors around and in front of it so that the effect is one of a mob of bystanders into which plaster horses and passengers are hurled in deadly chaos. Strangers on a Train Preview Version (SD; 1:42:57). He complained privately that Hitchcock was too ready to sacrifice dramatic logic (insofar as it exists) for the sake of a camera effect.[16] Interpersonal relations deteriorated rapidly until finally Chandler became openly combative; at one point, upon viewing Hitchcock struggling to exit from his limousine, Chandler remarked within earshot, "Look at the fat bastard trying to get out of his car! That carousel scene was not faked! "[65], Patricia Highsmith's opinion of the film varied over time. On this Wikipedia the language links are at the top of the page across from the article title. What is the streaming release date of Strangers on a Train (1951) in Canada? While Hitchcock strips out much of the textured sociopathy of Bruno's machinations, Hitchcocks preserves the ripely perverse relationship and its intimacy and murderous expression. Miriam informs Guy that she no longer wants to end their marriage. Anne. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. The two sets of feet in the title sequence match each other in motion and in cutting, but they immediately establish the contrast between the two men: the first shoes "showy, vulgar brown-and-white brogues; [the] second, plain, unadorned walking shoes. No Highsmith cameo This includes lots of great home movies; Alfred Hitchcock's Historical Meeting (SD; 1:08) is a weird little snippet without sound that shows Hitch interacting with actors made up as historical characters. compartment, Bruno reveals that he wants his father dead, and suggests a (original music by) Cinematography by Robert Burks . Over lunch in his private --Jeff Shannon, Better still, the two-sided DVD edition of this enduring classic includes both the original version of the film and also the longer prerelease British print, which offers a more overt depiction of Bruno's flamboyant and dangerous personality, and his homoerotic attraction to Guy by way of his deviously indecent proposal. his identity and lifestyle. said that correct casting saved him a reel in storytelling time, since So much occurs in pairs. [41] He was also photographed adding the letter L to Strangers on the official studio poster for the film,[26] thus changing the word to Stranglers. Addeddate 2021-02-10 15:58:01 [19], Even while the torturous writing stage was plodding its course, the director's excitement about the project was boundless. "[13], Even before sewing up the rights for the novel, Hitchcock's mind was whirling with ideas about how to adapt it for the screen. A diabolique and dark noir all set between a train and some neighborhood, with a confrontation that often becomes morally ambiguous and a direction that shows all HItch's talent in building creating suspense and scary scenes with just the right photography or even the A diabolique and dark noir all set between a train and some neighborhood, with a confrontation that often becomes morally ambiguous and a direction that shows all HItch's talent in building creating suspense and scary scenes with just the right photography or even the perfect cut and juxtaposition of shots (see how he builds the party scene with the progressive introduction of the bad guy in the initially stiff and upperclass situation). "Strangers The story concerns two strangers who meet on a train, one of whom is a psychopath who suggests that they "exchange" murders so that neither will be caught. The more you watch, the more you'll see. The 1987 film Throw Momma from the Train by Danny DeVito was inspired by Strangers on a Train, which is also watched by DeVito's character in the film.[71][72]. strangers agrees to it. Brilliant. There can be no compromise in his work, his food or his wines. Walker plays Bruno as Ebert wrote: Hitchcock was a classical technician in terms of controlling his visuals, and his use of screen space underlined the tension in ways the audience isn't always aware of. It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951, starring Farley Granger, Ruth Roman, and Robert Walker . In 1975, he won the Pulitzer Prize for distinguished criticism. in a public fight with her earlier on the day of her death, and even told his fiance Brief content visible, double tap to read full content. bargain. 'If the man had raised his head even slightly", Hitchcock said, "it would have gone from being a suspense film into a horror film. The film initially received mixed reviews but has since been regarded much more favorably. He is seen carrying a double bass as he climbs onto a train. To think she may have [21] "To all appearances Guy is the all-American stereotype, an athlete, unassuming despite his fame, conservatively dressed," wrote Carringer; he is "a man of indeterminate sexual identity found in circumstances making him vulnerable to being compromised. "The man who crawled under the out-of-control carousel was not an actor or a stuntman, but a carousel operator who volunteered for the job. Hitchcock said that correct casting saved him "a reel of storytelling time", since audiences would sense qualities in the actors that did not have to be spelled out. After winning a tennis match, Guy evades the police escort and heads for the amusement park to stop Bruno. Criss-cross. "[22] Robert Burks received the film's sole Academy Award nomination for its black and white photography.[23]. Strangers on a Train(1950) is a suspense thriller by Patricia Highsmith, based on the premise that two strangers swap murders. [13] With treatment in hand, Hitchcock shopped for a screenwriter; he wanted a "name" writer to lend some prestige to the screenplay, but was turned down by eight writers, including John Steinbeck and Thornton Wilder, all of whom thought the story too tawdry and were put off by Highsmith's first-timer status. Reviewed in the United Kingdom on September 7, 2015, Reviewed in the United Kingdom on February 24, 2021, Reviewed in the United Kingdom on May 21, 2021, Learn more how customers reviews work on Amazon, Closed-captioned, NTSC, Full Screen, Black & White, English (Dolby Digital 1.0), Unqualified (DTS ES 6.1), French (Dolby Digital 1.0), Leo G. Carroll, Farley Granger, Hitchcock, Patricia, Lorne, Marion, Roman, Ruth. (Robert Walker) hates his father. "[35], The final scene of the so-called American version of the film has Barbara and Anne Morton waiting for Guy to call on the telephone. Enhancements you chose aren't available for this seller. The emotionally-imblanced and immature Bruno expresses his feelings and Guy his problems in a chit chat. in his childhood, when his father sent naughty little Alfred to the police [46], This doubling has some precedent in the novel; but more of it was deliberately added by Hitchcock, "dictated in rapid and inspired profusion to Czenzi Ormonde and Barbara Keon during the last days of script preparation. Guy Haines (Granger), an amateur tennis star, chances to meet the eccentric Bruno Anthony (Walker) on a train. "On one side of the street, [are] stately respectable houses; towering in the background, on the right of the screen, the floodlit dome of the U.S. Capitol, the life to which Guy aspires, the world of light and order.

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